Robert Vizzini

ART PUBLICATIONS

<i>Popular Photography & Imaging</i>December, 2004Robert Vizzini likes to work in the dark. His nocturnal time-exposure landscapes have a Close Encounters feel, complete with streaks of light and blips from moving stars, cars and airplanes. To further emphasize the otherworldliness of his photo, Vizzini prints his Kodak T-Max 400 negatives on standard paper, then process them in Kodalith, a finicky, extremely high contrast developer. “Every print comes out looking different,” he says. “It’s a challenge.”<b>Mason Resnick</b>
Popular Photography & Imaging
December, 2004


Robert Vizzini likes to work in the dark. His nocturnal time-exposure landscapes have a Close Encounters feel, complete with streaks of light and blips from moving stars, cars and airplanes. To further emphasize the otherworldliness of his photo, Vizzini prints his Kodak T-Max 400 negatives on standard paper, then process them in Kodalith, a finicky, extremely high contrast developer. “Every print comes out looking different,” he says. “It’s a challenge.”
Mason Resnick