ART PUBLICATIONS: pub02-PopPhoto

Popular Photography & ImagingDecember, 2004Robert Vizzini likes to work in the dark. His nocturnal time-exposure landscapes have a Close Encounters feel, complete with streaks of light and blips from moving stars, cars and airplanes. To further emphasize the otherworldliness of his photo, Vizzini prints his Kodak T-Max 400 negatives on standard paper, then process them in Kodalith, a finicky, extremely high contrast developer. “Every print comes out looking different,” he says. “It’s a challenge.”Mason Resnick

Popular Photography & Imaging 

December, 2004 

 

Robert Vizzini likes to work in the dark. His nocturnal time-exposure landscapes have a Close Encounters feel, complete with streaks of light and blips from moving stars, cars and airplanes. To further emphasize the otherworldliness of his photo, Vizzini prints his Kodak T-Max 400 negatives on standard paper, then process them in Kodalith, a finicky, extremely high contrast developer. “Every print comes out looking different,” he says. “It’s a challenge.” 

Mason Resnick